30 years of family tradition with roadside flute stall of Charukala

Amidst the vibrant and ever-changing scenario of the Dhaka University campus, a humble roadside store has stood the test of time. For nearly three decades, Rubel, affectionately known as 'Rubel Bhai' among the fine arts students of Charukala, has been a fixture on Charukala's footpath, weaving a symphony through the notes of his father's flutes.

Rubel, with his curly hair and thick moustache, orchestrates a melodic playing of the flute, engaging with customers, and owns a small shopping enclave that is full of handmade musical instruments. His store, adorned with dhol, ektara, premjuri, khamak, hathbaya, harmonica, flute, dotara, garlands, and bangles, creates a unique collection on the footpath of Charukala.

Rubel's musical journey is deeply rooted in his family legacy, tracing back to his father, Labu Mia, a renowned flute maestro of the country. From a young age, Rubel found inspiration in watching his father play the flute, ektara, and dhol-tabla, nurturing a dream to follow in his footsteps. Labu Mia's illustrious career spanned 60 years, trading bamboo flutes across borders and enriching the cultural landscape.

The tale unfolds further as Rubel narrates the family's migration from Harirampur of Manikganj to Dhaka after their ancestral home is taken by the Padma River. Despite challenges, the family persevered, with Labu Mia becoming a torchbearer of the flute culture, even establishing 'Labu Flute' at Alpana Plaza. Rubel, driven by a sense of duty, set up his own shop, following his father’s footsteps and preserving the legacy.

The footpath stall not only serves as a hub for musical instruments but has expanded to cater to evolving tastes, with a thriving business in girls' jewellery. Rubel's diligence in sourcing raw materials from different districts, including bamboo from Chittagong and leather from Jessore, highlights the dedication woven into each instrument crafted by family, friends, and neighbours.

As the centre of the tumultuous political scenario of Dhaka, Shahbagh emerges as a witness to Rubel's journey, a place where protests and rallies intertwine with his business days. Rubel's persistence during these troubling times reflects the harmonious relationship he shares with the university community.

Beyond commerce, Rubel delves into intellectual pursuits, showing an unquenchable thirst for knowledge. Despite a lack of formal education, he immerses himself in books, drawing inspiration from his father's devotion to Lalon. A man of routines, Rubel's disciplined lifestyle, starting with a 4 a.m. wake-up, exemplifies the balance he maintains between his artistic pursuits and a sound mind.

As Rubel continues his melodic stopover on the footpath of Charukala, he remains committed to imparting his musical knowledge. He shares the intricacies of the flute with curious listeners, embodying the spirit of art as a shared experience. His footpath stall becomes more than a commerce centre; it transforms into a cultural hub where admirers seek not just to buy but to immerse themselves in the timeless melodies of Rubel's enduring legacy.

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