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Fans who pre-ordered Beyoncé's latest album on vinyl are reporting that five of its tracks have gone missing.
Cowboy Carter was released to critical acclaim on Friday, with reviews calling it a "masterpiece" and a "slick and starry Western epic".
But some of the best-received songs, including Ya Ya and Spaghetti, are reportedly not present on the vinyl edition.
The BBC has contacted Beyoncé's representatives for comment.
"I'm so sad," wrote one fan on Reddit, who would have paid £32 to pre-order the copy album from Beyoncé's website.
"It's such a shame, because Ya Ya is up there with my top five favourite songs" on the album, said vinyl collectors Matt and Juan on TikTok.
The songs and interludes reported missing are: Spaghetti, Flamenco, The Linda Martell Show, Ya Ya and Oh Louisiana.
It is not clear whether all vinyl copies are affected. Fans have also reported that CD copies are missing four tracks.
"What is up with that?! How could she sell an incomplete album?" complained one on Reddit.
The likely explanation is that Beyoncé added these songs late into the album's creation.
Vinyl pressing plants are booked months in advance, with lead times of 10 weeks to six months - meaning albums have to be submitted long in advance of their release.
But it also not unusual for artists to tweak track lists and arrangements at the last minute.
Famously, Kanye West updated his 2016 album The Life Of Pablo several times after it was released, with songs updating on streaming services for weeks before he was finally satisfied.
Beyoncé also modified her previous album, Renaissance, in the week after its release, by changing a lyric to remove a slur commonly used to demean people with cerebral palsy.
In a press release issued on Friday, the star said Cowboy Carter had taken "over five years" to create.
"It's been really great to have the time and the grace to be able to take my time with it," she added, explaining that it was originally supposed to come out in 2022, as the first part of a planned trilogy.
Instead, she released the more dance-centric Renaissance as a response to the Covid-19 lockdown.
"With the pandemic, there was too much heaviness in the world," she said. "We wanted to dance. We deserved to dance. But I had to trust God's timing."