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What happens when human emotions influence the mysterious world of espionage? Although this is not a new formula for spy thriller films, Vishal Bhardwaj's latest film, Khufiya, tries to be original by introducing lead female characters who are complex and capable of being the showrunners of this film.
This is a proud moment for Bangladesh, as Azmeri Haque Badhon becomes one of the few Bangladeshi actresses to star in a Hindi-language film. Although her role is short, it's enough to drive the story forward for the protagonist and co-star, Tabu.
The plot is set in Dhaka, Bangladesh, delving into the murky waters of international politics and covert operations.
Krishna Mehra (portrayed by Tabu) operates undercover for India's R&AW in Dhaka. Her target is Mirza, a Bangladeshi politician whom Pakistan's ISI endorses to threaten the Bangladesh-India relationship.
Krishna hires Heena as an undercover agent to eliminate her target. When Heena (played by Badhon) becomes an unwitting victim, the mission takes a perilous turn. The leak of Heena's mission raises suspicions, with R&AW agent Ravi Mohan (Ali Fazal) under intense scrutiny. Is he the mole threatening the operation's success?
A web of conspiracy emerges as hidden cameras capture Ravi's every move. Ravi, entangled in a treacherous game, must balance his loyalty to his country and his family. His escape to the USA under an alias adds a twist, leading to unexpected alliances and deadly plans. Will Krishna orchestrate the downfall of the infamous politician Mirza with Ravi's help?
Director Bhardwaj's Khufiya is an ambitious project, but he has difficulty keeping the story engaging when he tries to create morally grey characters and a global plotline.
The film sometimes feels disconnected, leaving viewers wanting a more connected story. In his quest to craft strong female characters, Bhardwaj finds success, especially with the performances of Tabu, Wamiqa Gabbi, and Azmeri Haque Badhon.
The film explores the intricacies of their roles, adding depth to an otherwise convoluted plot. Yet, amidst the captivating performances, Khufiya loses its grip, letting the audience lose interest in its story.
One matter that needs attention from Bangladeshi viewers is Azmeri Haque Badhon's performance. She had a short screen time as Heena, but many flashback scenes with Krishna prove her influence throughout the film. They share a complicated relationship, and despite Heena's involvement with the ISI, her loyalty to Krishna is evident.
Heena undertakes a dangerous secret mission to assassinate Mirza, proving her dedication. But her death drives Krishna to seek revenge and fulfil her mission of neutralizing Mirza.
Bhardwaj's ability to infuse soul into his characters remains evident, like in Maqbool and Omkara, yet this time, the magic wavers. The film's plot development fails to maintain intensity, making the climax somewhat boring.
Khufiya attempts to penetrate the clandestine world of intelligence but finds itself entangled in its own complexity. Despite its appealing premise and distinguished cast, the film fails to deliver the captivating espionage thriller it promises.