'Killers of the Flower Moon' focuses on the dark side of human nature

In Martin Scorsese's latest cinematic masterpiece, Killers of the Flower Moon, the acclaimed director transcends his own legacy, challenging his audience to confront the depths of human darkness. Scorsese, known for his compelling portrayal of criminals, takes a sharp turn in this film, demanding viewers to witness a ruthless conspiracy of genocide.

Based on David Grann's non-fiction book, the film delves into the little-known series of murders during the 1920s within the Osage tribe. This Native American community unexpectedly struck oil, leading to their targeted exploitation by greedy white men. 

Scorsese reframes the narrative not as a distant observer but by immersing the audience in the criminals themselves. However, they are not charismatic anti-heroes. They are cowards, con men, and sellers of white supremacy, exposing the scam of racism in America.

The story primarily follows Ernest Burkhart (Leonardo DiCaprio) and his uncle, William 'King' Hale (Robert De Niro), who orchestrate a sinister plot against the Osage tribe, exploiting their newfound wealth through schemes, conservatorships and even grave-robbing. 

Scorsese masterfully captures the transformation of Ernest, portrayed with depth and complexity by DiCaprio, from a seemingly nice-behaving fool to a dishonest killer under the poisonous influence of King. Their relationship, devoid of charm or sophistication, illustrates the ugly reality of greed, racism, and betrayal.

Crucially, the film introduces Mollie Burkhart (Lily Gladstone), whose resilience becomes a focal point. Amidst the backdrop of violence, her character embodies strength and agony, understanding the true motives behind Ernest's actions. Gladstone's performance adds a layer of depth, highlighting the contrast between the Osage culture's beauty and the brutality of their exploitation.

Scorsese skillfully intertwines Osage rituals and traditions into the narrative, emphasizing their culture's richness and humanity. These moments are juxtaposed with abrupt and shocking scenes of violence, highlighting the suddenness and brutality of the murders. The film portrays the killings not as spectacles but as ruthless acts, leaving viewers in stunned silence, their breath catching in shock.

Killers of the Flower Moon goes against the trope of the white saviour, portraying the FBI's intervention as insufficient and late, emphasizing the resilience of the Osage people. The film navigates the complexities of racism and exploitation with nuance, confronting the audience with uncomfortable truths.

In Killers of the Flower Moon, Scorsese doesn't just reveal the criminal world. He exposes the rotten core of white supremacy in America, implicating anyone who turns a blind eye to its atrocities. This film isn't just a Western crime thriller; it's a deep dive into complicity, betrayal, and the unwavering resilience of those who stand against it. 

Scorsese's potential magnum opus demands attention, leaving a lasting mark on the viewer, challenging them to confront the darker corners of humanity.

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